By John Grant, This Can’t Be Happening,
A new thought occurred to Rami. It soothed him like a gentle caress. Not all men are born to be heroes. Maybe I wasn’t born to be a hero. But in every man there’s something special, something that isn’t in other men. In my nature, for instance, there’s a certain sensitivity. A capacity to suffer and feel pain. Perhaps I was born to be an artist.
- Amos Oz, Elsewhere, Perhaps, a 1966 novel of kibbutz life
As a writer/photographer and a tax-paying American citizen, a story in the New York Times about Israel’s culture wars made me cringe. It seems the powerful, militarist right in Israel — so committed to expansion and settlements in the West Bank — is now trying to suppress ideas among the nation’s artistic and literary minds.
Human creativity amounts to an individual human mind with its rich, active sub-conscious engaging in a dialogue with the outer realities of life. The mash-up that results is called Art. It’s a process that’s often infused with a subversive sensibility at odds with established power. In his perfect republic, Plato banned poets. Tyrants throughout history have been threatened by artists and writers. Hitler, of course, gave up on an artistic career in order to rule Germany and the world as his own personal work of art; he had men like Joseph Goebbels to assure artists and writers weren’t a threat. Art that didn’t promote Aryan purity and German superiority was “decadent” and banned; careers were destroyed. The impulse to attack artists and to cut off their patronage and funding is as old as tyranny itself.
It’s the perennial struggle between Power and Truth. In the short-term, Power can, and often does, run over Truth like a tank in the streets; while in the long run, Truth has the tendency to eat away at, and undermine, that Power. …
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By Chris Hedges, Nation of Change, 1/12/16
America’s refusal to fund and sustain its intellectual and cultural heritage has come with an enormous cost. We are now paying the bill.
America’s refusal to fund and sustain its intellectual and cultural heritage means it has lost touch with its past, obliterated its understanding of the present, crushed its capacity to transform itself through self-reflection and self-criticism, and descended into a deadening provincialism. Ignorance and illiteracy come with a cost. The obsequious worship of technology, hedonism and power comes with a cost. The primacy of emotion and spectacle over wisdom and rational thought comes with a cost. And we are paying the bill.
The decades-long assault on the arts, the humanities, journalism and civic literacy is largely complete. All the disciplines that once helped us interpret who we were as a people and our place in the world—history, theater, the study of foreign languages, music, journalism, philosophy, literature, religion and the arts—have been corrupted or relegated to the margins. We have surrendered judgment for prejudice. We have created a binary universe of good and evil. And our colossal capacity for violence is unleashed around the globe, as well as on city streets in poor communities, with no more discernment than that of the blinded giant Polyphemus. The marriage of ignorance and force always generates unfathomable evil, an evil that is unseen by perpetrators who mistake their own stupidity and blindness for innocence.
“We are in danger of forgetting, and such an oblivion—quite apart from the contents themselves that could be lost—would mean that, humanly speaking, we would deprive ourselves of one dimension, the dimension of depth in human existence,” Hannah Arendt wrote. “For memory and depth are the same, or rather, depth cannot be reached by man except through remembrance.”…
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